I have uploaded new high quality candids of Kristen Stewart arriving at LAX Airport on May 25, 2014.
What motivated Kristen to take on the role?
“I think the fear that motivated me here was working with Juliette. And with Olivier as well. It’s just such a different setting for an American actress. It’s a very European feeling film. It thinks a lot, it doesn’t package its ideas and deliver them to you. I think it takes its on ride and it’s really complex and what scared me was hitting it perfectly and striking this balance and this was an opportunity to really make the point hit home. I play an assistant to an actress, I comment on the sort of potential for the media to be and it’s very commonly incredibly superficial. It’s not ‘yeah, I’m being nice right now, but basically saying this is so silly and not in an interview, not to you right now, but in a film that really means something that it’s a different thing. So that was definitely satisfying to say some of those lines to her and not scary, just really satisfying.”
Why Olivier thought of Kristen for the part:
“I met her, it’s really via my producer Charles Gillibert, he produced ‘On the Road’ and so I met Kristen through him in a completely, I mean I was not thinking about this film, I had not written it so it’s. But I liked her very much. I thought that was something to her that was extraordinarily powerful and I thought that movies had not used half of it. So I thought that I saw someone who had done great things but had greater things to do.”
Kristen thoughts on working on location in the Alps:
“Actually I must say when we were in St. Moritz, Sils Maria, like that’s where we shot it, I did start to get a little bit of cabin fever. I kind of felt like Jack Nicholson in ‘The Shining’ for a minute there. It was like we were all living in this old stuffy hotel and it was just like and we were so obsessed with making this movie and every second of our lives was devoted to focussing on this movie that it becomes this isolated obsessive environment but it’s amazing, that’s what it should be. I’m into that. I really like intense bursts of like take these three months and think about nothing but this but it definitely got a little… I mean at a certain point I was like ‘OK, we need to all relax a little bit.’”
Chloe on how the internet has changed things for actors:
“I think it’s weird because like for me, what’s weird for me is every time I go to a meeting I get asked, ‘do you, are you on social media? And if you are how many followers do you have?’ and I find that really weird because instead of being asked like ‘oh what movies do you want to do? what do you want to approach?’ they kind of ask what is your internet social standing which I find really annoying. It’s become, as a young actor it’s become as a whole part of your career that if you don’t instagram your movies, that if you don’t tweet your movies and stuff like that, they’re not going to succeed kind of thing.”
I’ve added new high quality candids photos of Kristen Stewart leaving hotel in Cannes on May 24, 2014.
I have uploaded new event photos of Kristen Stewart leaving the ‘Clouds Of Sils Maria’ Premiere at the 67th Annual Cannes Film Festival on May 23, 2014 in Cannes, France.
I have uploaded new event photos of Kristen Stewart attends the ‘Clouds Of Sils Maria’ Premiere at the 67th Annual Cannes Film Festival on May 23, 2014 in Cannes, France.
I’ve added many new behind the scenes photos of Kristen Stewart during the set with ‘Sage + The Saints’ to the gallery.
I’ve added a new interview video and a few behind the scenes photos from Sils Maria movie to the gallery!
I’ve added new production stills of Kristen Stewart in ‘Sils Maria’ movie to the gallery!
To be at all familiar with Kristen Stewart — she had a small role in some vampire movies, maybe you’ve seen them — is to know that she’s not particularly comfortable in the spotlight. She’s a kinetic speaker, elliptical and often self-deprecating, so perhaps it’s no surprise that at 24, she’s already making the move to the other side of the camera. As part of its ongoing Blank Check Series, the denim/lifestyle brand Buffalo David Bitton offered Stewart a modest-but-undisclosed amount of money to “embark on a new creative journey,” which the Twilight star used to co-direct a music video for her friend Sage Galesi of the country-rock outfit Sage + the Saints.
“I’ve been saying I want to direct movies since I was 10 years old,” says Stewart, on the phone from somewhere in New Orleans, where she is currently filming the action comedy American Ultra. “And then I started making movies and working with such incredible people that I realized what I was up against. So it was like, no way, now I’m gonna get more attention than I ever should just because of who I am. Basically, I’m grateful to Sage, because she was like, ‘I have this little thing, no one could tell the story better than you. . .just do it and stop being such a pussy.’”
So Stewart, along with co-director David Ethan Shapiro of Starlight Studios, cinematographer/editor James Gallagher, and some mutual friends, decamped to Tennessee for five days in February to shoot the video for “Take Me to the South,” a song off of the Saints’ 2013 EP I Will Lie. (Galesi just launched a PledgeMusic drive to help fund a full-length album.) Filming in and around the L.A. songwriter’s adopted hometown of Nashville, Stewart and Co. shot documentary-style footage of Galesi performing at the High Watt, playing downtown street corners and goofing off with pals in the back of a pickup truck. “We wanted it to feel like a glimpse of her life,” explains Stewart. “And that’s fucking hard. As soon as you start rolling, everyone turns into deer in the headlights.”
The video for “Take Me to the South” premieres later this month. In the meantime, Stewart, along with Galesi and Shapiro, was enthusiastic to discuss her directorial debut via conference call: “It’s so much nicer doing interviews as not what I usually am.”
Your Twilight costar Nikki Reed produced a video for a song called “Edie Sedgwick” from Sage’s solo days, right?
That’s how we met, yeah, It was on the set of a movie in Vancouver seven years ago, and then we became really good friends.
The video has an improvised, homespun feel. What, if any, narrative did you come up with?
Sage lived all of this; we fabricated nothing. I wanted the video to feel really captured and found rather than set-up and executed. The story is that she’s insanely courageous to be this kid from L.A. who doesn’t hang out with anyone that listens to country music — and suddenly she realizes she wants to be a country star, and drives to Nashville by herself to see if she can meet people and be in a band. Then she did it all. It was so easy, once she presented me with the idea. I was like, well, that’s what the video is. It’s done. Basically, I didn’t want it to feel…I mean, nobody wants their shit to be pretentious, but like, I didn’t want it to seem like we wanted to be cool at all. Country music’s not cool. It’s truthful and it’s sweet. • Read full story »